Army Industrial Exhibitions
In: Journal of the Royal United Service Institution, Band 8, Heft 30, S. 123-138
ISSN: 1744-0378
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In: Journal of the Royal United Service Institution, Band 8, Heft 30, S. 123-138
ISSN: 1744-0378
In: Irish economic and social history: the journal of the Economic and Social History Society of Ireland, Band 2, Heft 1, S. 46-59
ISSN: 2050-4918
Includes advertising matter. ; "Entered according to the Act of Parliament ." ; "$15.000 in prizes ." ; Electronic reproduction. ; Mode of access: Internet. ; 44
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In: Annales Universitatis Mariae Curie-Skłodowska. Sectio F, Historia, Band 65, Heft 2
ISSN: 2083-361X
In: Journal of European studies, Band 40, Heft 1, S. 23-38
ISSN: 1740-2379
The industrial exhibitions in Paris during the July Monarchy drew large crowds and broad coverage in the press. Reviews of these exhibitions frequently appeared in newspapers that covered the annual art Salons, and often in the same part of the publication — in the feuilleton space. Thus an aesthetic of the commodity emerges in the reviews of the industrial exhibitions, as readers were taught to view the objects produced by industry with the same eye that assessed the value of new works of art. This essay concerns the contours of this aesthetic and how reviewers produced interest in these objects on display. Coverage of these exhibitions reveals the dominance of progress as an organizing paradigm for the historical consciousness in the early nineteenth century. Yet, at the same time, counterbalancing such a valuation of progress, objects are often represented as connected to or evocative of a lost pre-Revolutionary past.
In: Lund studies in economic history 5
In: Far Eastern affairs: a Russian journal on China, Japan and Asia-Pacific Region ; a quarterly publication of the Institute for Far Eastern Studies, Russian Academy of Sciences, S. 123-129
ISSN: 0206-149X
The development of trade, economic, scientific and technological ties between the USSR and China has been largely facilitated in the past few years by the resumed and exchanges of exhibitions between the two countries. In this contribution the author describes Soviet exhibitions held in China and Chinese exhibitions held in the USSR, especially in 1986. (DÜI-Sen)
World Affairs Online
In: Vestnik Permskogo universiteta: Perm University herald. Serija Istorija = Series History, Heft 2(41), S. 38-46
Tables. ; "Vice-patrons: His Excellency the Governor-General of B.N.A., His Excellency Lieut.-General Sir John Michel, K.C.B., commanding the forces in B.N.A." ; "Montreal, C.E., July, 1866." ; Electronic reproduction. ; Mode of access: Internet. ; 44
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Cover title. ; "Held by authority of the Provincial Legislature and under the auspices of the Central Board of Agriculture, under the immediate direction and management of the Kings County Exhibition Committee, William Eaton, secretary, Exhibition Committee." ; Electronic reproduction. ; Mode of access: Internet. ; 44
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Cover title. ; "Held by authority of the Provincial Legislature, and under the auspices of the Central Board of Agriculture, under the immediate direction and management of the Colchester Exhibition Committee, W.D. Dimock, secretary, Exhibition Committee." ; Electronic reproduction. ; Mode of access: Internet. ; 44
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Cover title. ; "Total amount of prizes offered $10,272.00." ; "Published by authority of the Exhibition Committee." ; "Prof. Lawson, Secretary." ; "Competition open to the whole province. No charge for entry of exhibits." ; Electronic reproduction. ; Mode of access: Internet. ; 44
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This article examines the aims and outcomes of the Nottingham and Midland Counties Working Classes Industrial Exhibition of 1865-1866, an event which ostensibly promoted the achievements of working class residents living in and around the [then] town of Nottingham. Here, the actual presence and the influence of these residents at the event will be charted, through close analysis of the place of the Exhibition within the town. Indeed, particular attention will be paid to the process by which the venue and its contents – including a versatile musical repertoire – were housed within a developing cultural quarter financed and approved by local government and industry leaders, a space that promoted rational cultural activity and modified contributions by individual exhibitors and performers, to produce an advertisement of stable civic identity.
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